
Large Achievement of Arms of Lee Thurman Lumbley colour versions


Heraldic artist: Ljubodrag Grujic
REGISTRATIONS: Burkes Peerage and Gentry International Registry of Arms and
the United States Heraldic Society
According
to Burke's General Armory of England, Ireland, Scotland and Wales. Harrison
& Sons. London. © Copyright 1884, the following Lumley families use the
Popinjay or Parrot:
(a) Earls of Scarbrough: ARMS—Argent a Fess Gules three Parrots Vert
Collared of the second CREST—A Pelican in her piety in her nest all proper
SUPPORTERS—Two Popinjays wings addorsed and inverted Vert MOTTO—MURUS ÆNEUS
CONSCIENTIA SANA (A sound conscience is a wall of brass).
(b) Lumley of Middlesex and York: ARMS—Argent, A Fess Gules between three
Parrots proper gorged Gules CREST—A Pelican in her piety proper.
(c) Lumley of Clipston, co Northamptonshire: ARMS—Gules on a Fess Argent
between three Popinjays Argent, three Mullets Sable.
The main element of the newly designed Crest is a Griffin. Being half Eagle
and half Lion, it represents the American and English heritage of the
armiger. Gules, Argent and Azure are the colors of the Union Flag and the
flat of the United States as well as the flag of Texas where the armiger was
born. The Saint Cuthbert’s cross is a reference to County Durham from whence
the family descends. The tail is in the coward position for reverence before
divine power represented in the cross.
In the Crests of other Lumley families, the blazon reads, "a Pelican in her
piety..." The coronet replaces the Pelican's nest in this new Crest and is
carried down into the badge, surmounting a White Rose, representing
innocence, purity, and humility. The Rose is the official floral emblem of
United States and the State of New York, where the armiger lives.
The motto is the Latin for God and my right. The right to which the motto
refers is the right to bear arms.
All works
completed between March and May 2010.
As a producer, Mr. Lumbley’s projects included the films: Last Flight to
Savannah (2004) with American director Robert Pietri, The Real Ones
(2003) with American director Henry Lee, Under the Willow Tree (2003)
with Chinese director Sen-I Yu, El Ricon de Venezuela (The Venezuelan
Corner) (2003) with Venezuelan director Reyther Orgeta, The end side of
a carousel (2003) with Chinese director Ming Chen, music video: For
Reasons Unexplained (2004) for Sony artist Casey Stratton with
Trinidadian director Vashti Anderson, and PBS television series Sesame
Street (2003-4).
As a composer, he studied with Normal Nelson at West Texas State
University and Paul Cooper at Rice University. Mr. Lumbley’s first major
work, Angel Dances - A Dancework in Eight Segments was written in
tribute to American choreographer Mark Morris and recorded in 1996 along
with Tango M, scored for orchestra. In 1997, his Hodie Christus natus
est was premiered by the San Jacinto College Choir in Houston, Texas.
Lee’s concerto for piano and orchestra L'hommage a la nuit was composed
in 1999 for the Queen Elisabeth of Belgium International Piano
Competition and recorded in 2002 along with my Symphony of Myself, his
first symphony. In 2003, his Sonata per pianoforte and Aria per un
giorno primaverile (Song for a Spring Day) was written for solo piano
and recorded. He also served as artist-in-residence for the Opera/Music
Theater Institute in Washington, DC and as guest composer/lecturer at
San Jacinto College in Houston, Texas.
As an operatic tenor, Mr. Lumbley studied voice with soprano Elsa
Porter, protégé of Dame Eva Turner, mezzo-soprano Frances Bible, and
tenor Denes Striny. His last performance credits include the Amalfi
Coast Music Festival, the Ravello Music Festival, the Badia di Cava
Music Festival—all in Italy, and the Bryant Park Young Performers Series
in New York. His other credits include the Amarillo Symphony Orchestra,
the Houston Grand Opera, the Houston Symphony Orchestra, the American
Vocal Ensemble, the Hilliard Ensemble, the National Cathedral Choir of
Men and Boys, and many others.
Mr. Lumbley’s operatic roles included U.S. Naval Lt. B.F. Pinkerton in
Puccini's Madama Butterfly, Rinnucio in Puccini's Gianni Schicchi, Mario
Cavaradossi in Puccini's Tosca, the title role in Bernstein's Candide,
Faust in Gounod's Faust, Il Duca di Mantua in Verdi's Rigoletto,
Nemorino in Donizetti's Il elisir d'mor, and many others. In 1995, he
received the BRAVO! award for his contributions to the vocal arts.
Mr. Lumbley’s broadcast credits include the NBC Presents, PBS Great
Performances, Discovery Channel, ABC National Radio, NPR National Public
Radio, GMTV in the United Kingdom, and Italian National Television.
Beyond his artistic endeavors, Lee enjoyed significant careers in two
other areas. First, Mr. Lumbley was an arts administrator with Houston's
Alley Theater, Houston Ticket Center (Houston Grand Opera, Houston
Symphony Orchestra, Houston Ballet Foundation, and Society for the
Performing Arts), and later, the Washington, D.C. based Troika
Organization.
Second, he was a consultant and advisor in the field of legal
technologies and practice support for Jones, Day, Reavis & Pogue in
Washington, DC, and Amster, Rothstein & Ebenstein, and Schulte, Roth &
Zabel, LLP, in New York in a broad range of practice areas including
White House investigations, US Senate investigations, SEC civil and
criminal investigations, tobacco litigation, general corporate
litigation, mergers and acquisitions, and intellectual property.
Mr. Lumbley’s other affiliations include Phi Eta Sigma National Honor
Society, Phi Mu Alpha Sinfonia Professional Music Fraternity, AIDS
Foundation of Houston, the Design Industries Foundation for AIDS, 1989
Outstanding Young Men of America, Washington Cultural Alliance, American
Guild for Musical Artists, 1993 Inaugural Committee for President Bill
Clinton, Gay Men's Health Crisis, the Volunteers of America, National
Society of the Sons of the American Revolution, American Heraldry
Society, the International Association of Amateur Heralds, where he is
an Associate Fellow, and New England Historic Genealogical Society.
Mr. Lumbley currently resides in New York.

To the right: Second official version with asymmetrical mantling more logically falling on the dexter side. Of course, any stylized mantling, and such are a vast majority in heraldry, could be argued not logical or true to life.
This is the Armiger's version of choice.